An Introduction To A Poet………………David Lloyd.One of the wonderful things about writing about poetry is the learning curve I find myself on, sometimes when I'm introducing a specific poet the introduction is not only to those reading the post, but to myself as well. Sometimes, this discovery is a totally new writer with their first collection, and other times it is a poet that has a decent body of work that I've become aware of, or a more accurate description would be that I stumble upon a poet, and with head held high tell all and sundry about my latest discovery……… So here I go again.David Lloyd was born in the Welsh-American mining community of Utica, New York (1954), as well as being a professor of English, he is the director of the creative writing program at Le Moyne College in Syracuse, New York. David Lloyd is also the author of six books, including a work of fiction Boys: Stories and a Novella, two poetry collection The Everyday Apocalypse, and The Gospel according to Frank and as editor he was behind The Urgency of Identity: Contemporary English-Language Poetry from Wales, an anthology of poems and interviews, presenting the important English-language Welsh poets of the 1980s – 90s. His poems have appeared in numerous journals in the US and Britain, including Double Take, Planet and Poetry Wales. In 2000, he received the Poetry Society of America’s Robert H. Winner Memorial Award, judged by W. D. Snodgrass.His latest collection, and the first I've read of his, is Warrior. It is divided into five parts entitled The Great Khan, Lords Of The Jungle, Father And Son, Bedtime Stories and Lessons In Geography.This collection ranges far and wide drawing on characters from the past, whether historical or mythological and uses them to address issues that being timeless in nature are just as valid now. In this book Genghis Khan, Sitting Bull, and St Peter share space with characters from popular culture such as John Wayne and Tarzan, all raising their heads above the parapet and questioning everything from love, whether of family or Eros, to questions of politics, whether international or domestic.Miracle. (Lords Of The Jungle)It was St peter wasn't it.who walked on water, if onlyfor a few secondsbefore water became itself againand his feet recalledtheir human limitations?But what a glorious moment -to be absent in the amnesia of miracle,unable to know the differencebetween earth and sea, fire and air,between the promises our bodies makeand the ones they keep,stepping light years distantfrom the beating heart, from friendsspellbound in the boat,from fish in nets,from even the simplest fact.What I found really thrilling in this collection was the urgency of the writing, several of the poems particularly in the section titled Genghis Khan, reminded me of Crow, by Ted Hughes, there was a force that had that same confrontational nature, that had an almost suppressed violence, almost. Yet, at the same time some of these poems have a delicate intimacy, a sweetness that comes from close ties, for example the poems in Father And Son, were beautiful and as a father myself brought a lump to my throat.II. First Bruise. ( Father And Son)Why, the son asked his father, did you let go?Why, he asked next, did the floor riseto bruise my head? and why,he further enquired, did the air not resistWhy did the blood congeal without my consent?Why did the skin prolong the agony?Why did the momentthen lodge itself in memorylike a nipple between lipsor a tongue in a mouth without words?An introduction is the act of starting something for the first time, and it is in that moment that something new is created, something fresh, something that could be startling, that with a little effort can become so much more. Although this is not this writers first work, it is the first I was aware of, making it my introduction to this poet, my first experience, but not my last.